These days, Michael Bay is best known for his seemingly endless stream of “Transformer” movies but he’s also this country’s most unabashedly pro-military director; since “Pearl Harbor” (2001), he has demonstrated an enthusiasm for artillery-laden features whose guiding principle seem to be “Keep it butch, boy.” All lickety-split edits, percussive soundscapes, deafening blasts, grunted one-liners, […]