A big corporation asks me to do a live performance since the one I gave in real life went well. This time I do not feel engaged enough to do a good job. I’ve brought along some index cards but can’t find them in my purse and every time I stop to dig for them I lose my thread and audience so I plod on. Everything and everybody is twitching. The crowd and I are standing in a big drafty old factory floor that’s not quite been transformed into something else. It’s the kind of building that used to abound in the West 30s and 40s when I first moved to New York. I am rambling while worrying idly that I’m not worrying when the roof begins to crumble and then bursts into flames. Again, I think, since the roof of Chelsea Market burst into flames earlier this month as I was getting fired. Everyone runs out but me and a tall woman with beautiful arms and copper skin and eyes. She and I are detached, watching the drama unfold. Then we turn to each other and Continue Reading →
Like many growing up in the 1980s, I regarded “The Outsiders,” Frances Ford Coppola’s adaptation of S.E. Hinton’s 1967 young adult novel, as the ultimate babe fest. To date, it may be the greatest shrine to young male beauty ever filmed. Starring Rob Lowe, Matt Dillon, C. Thomas Howell, Ralph Macchio, Patrick Swayze, and Emilio Estevez at the apex of their hotness, a pre-orthodontia Tom Cruise was the ugliest dude in the cast. Turning flips in the air, popping perfect biceps in rolled-up black tees, lolling cigs out of rosy pouts, and batting long lashes beneath expertly combed pompadours, these boys were so appealing that they triggered early puberty in a whole generation of tweens (then called preteens).
Thirty-odd years later, I dig this parade of Aphrodites even more, and for mostly loftier reasons. Howell stars as 14-year-old protagonist Ponyboy Curtis, so named by dead parents who left him in the care of 17-year-old brother Sodapop (Rob Lowe), a dreamboat of a high school dropout, and biggest brother Darrel (Patrick Swayze), who has forfeited his dreams of college to keep his younger siblings out of foster care. Based in Tulsa, Oklahoma, the Curtis boys live on the wrong side of the tracks – we’re reminded of this from the first scene’s lonely train whistle– and they provide a homebase for all the tenderhearted, rough-hewn “greasers” in their gang. Continue Reading →