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A Female King in Hollywood

We denizens of the 21st century sometimes forget history isn’t as linear as chronological time – at least in terms of the progression of civil rights. We tend to believe, for example, that women have it better now than ever before. Certainly we assume females wield more political clout in this day and age. After all, just look at Hillary Clinton or Elizabeth Warren or, um, Sarah Palin. Right?

Wrong. The most radically powerful female leader to date may be a woman who ruled Egypt more than 3,000 years ago with very little fanfare and less ill happenstance. I’m not talking about Cleopatra, whose reign was as troubled as it is fabled. (Mostly she used her great sexuality in an ill-fated attempt to save her country from mass servitude.) I’m talking about Hatshepsut, who ruled Egypt for twenty years (practically a millennium in 1500 century BC) and who went so far as to refer to herself as a “female king” rather than a queen, which then connoted the head wife of a male pharaoh.

Hatshepsut is widely accepted to have led her nation into its most prosperous and peaceful era. Yet this is not a woman we learn about in school. Frankly, were it not for Egyptologist Kara Cooney’s new biography, The Woman Who Would Be King: Hatshepsut’s Rise to Power in Ancient Egypt, I still would not have heard of her. “Hatshepsut has the misfortune to be antiquity’s female leader who did everything right, which may be what dooms her to obscurity,” writes Cooney, who goes on to suggest history prefers to emphasize women who mishandled their power. In other words, is it any surprise that we hear about Cleopatra rather than Hatshepsut?

It’s time to rectify this glaring omission. Arguably, history is backsliding again – reproductive rights are being repealed; young female activists have been forced to reinitiate an anti-date rape movement; and the nation seems collectively confused about the very definition of “feminism.” A big Hollywood biopic about a charismatic female leader – a woman of color, no less – could put things in perspective. The good news is that, despite the fact that history hasn’t been interested in Hatshepsut, she is very interesting, with all the makings of a timeless yet terrifically relevant epic. In fact, the biggest challenge of an adaptation of The Woman Who Would Be King wouldn’t be jazzing up this story for modern consumption. It’d be sidestepping an NC-17 rating, and finding a contemporary woman with enough grandeur to do justice to this overlooked pioneer.

Consider the possible movie treatment. Continue Reading →

On the Edge, Again

I contributed a selection to Flavorwire’s 28 Feminist Writers Every Man Should Read: Marge Piercy’s Woman on the Edge of Time. I’m obsessed with this book–so much so that I wrote my college thesis on it. To wit:

Piercy’s 1976 utopian novel posits a future in which human reproduction has been mechanized, gendered pronouns have been supplanted by the handy term “per,” everyone can lactate, all adults are expected to co-parent a child with two friends (never lovers), and humans congregate in small towns with extremely direct democracies. In a moment in which dystopias rule the school, this prescient book works as an amazing time machine — not only forward but back to an era in which women liberationists still took their title literally.

Cue the Utopias

One of the most bizarre trends in contemporary cinema is the rise of the dystopian sci-fi flick. Sure, the “Hunger Games” films may be the most female-empowering YA franchise of all time. But anyone who reads the news already knows the world is in trouble. Do we really need a new movie every week to remind us of how dour our future may be? Frankly, it’s high time Hollywood made utopias instead. Here are some books that are ripe for adaptation.

 

Herland
Though written in 1915, Charlotte Perkins Gilman’s gynocentric science fiction novel feels as radical now as when it was released. About an all-female world in which women have developed the ability to reproduce without men, it follows three male visitors as they struggle to adjust to an environment in which they’re not needed and in which traditional gender roles are nonexistent. Frankly, a modern adaptation of this book would blow everyone’s minds – so much so that it might require crowd-funding since it’s unlikely that a Hollywood studio would bankroll such subversion. But I smell “instant cult classic” if “Herland” were ever made, especially if a bad-ass feminist director with a subversive sense of humor – Rose Troche or Kathryn Bigelow, maybe – took the reins. Continue Reading →

"All, everything I understand, I understand only because I love."
― Leo Tolstoy