Archive | Book Matters

All Hail the Heroine’s Journey

It’s a special sort of movie that asks audiences to tag along on an extended trek by foot, as this month’s “A Walk in the Woods” does. An adaptation of Bill Bryson’s eponymous memoir, it stars Robert Redford as travel writer Bill Bryson, hiking the Appalachian Trail while reconnecting with an old friend, Stephen Katz (Nick Nolte). But the walkabout film is actually a beloved genre – perhaps because there is nothing more Hollywood than a hero’s (or heroine’s!) journey. Consider these other walkabout features, many of which, interestingly, are also literary adaptations. I’m deliberately omitting the “Lord of the Rings” and “Harry Potter” films (they get enough air time!) but what else do you think deserves mention?

“The Wizard of Oz” (1939)
Sure, “The Wizard of Oz” is another film that gets plenty of air time. But when was the last time you actually watched this adaptation of L. Frank Baum’s children’s novel? Dorothy (the great Judy Garland) and her ragtag crew get an awfully good workout as they wander through the emerald and straw-hued labyrinth of her exceptionally vivid subconscious. They even manage to warble a few catchy tunes along the way. See also: “The Wiz” (1978). Disco cities, disco soundtrack, young MJ, and D. Ross as Dottie? Um, yes please. Continue Reading →

A Gently Grown-up Film: ‘Learning to Drive’

“Learning to Drive,” about a middle-aged Sikh driving instructor and his middle-aged student, is a satisfyingly grownup movie. Its stakes are gentle but real. Its characters behave decently yet feel strongly, and their parallel worlds are unfair if occasionally joyous. For this reason but not this reason alone, this is a late-summer film to see, despite its pedestrian premise. (Puns are an occupational hazard when discussing this topic.)

The luminous Patricia Clarkson is rock-star book critic Wendy, whose enviable NYC intelligentsia lifestyle is in tatters since Ted (Jake Weber), her relatively unsuccessful husband, left her for a colleague, and her daughter, Tasha (Grace Gummer), took off for a remote Vermont commune. A lifelong city kid, Wendy realizes she’s going to have to learn to drive if she’s ever going to see Tasha again, so she enlists the services of Darwan (Ben Kingsley), an overworked Indian immigrant who drives a taxi by night and teaches driving by day. Continue Reading →

Interview: Adapting ‘The Grief of Others’

Though it’s rarely acknowledged, dynamics between authors and the directors who have adapted their books can be awkward, to say the least. This awkwardness was very much not in evidence at a post-screening discussion of “The Grief of Others,” about a family grappling with the death of their infant, that I moderated between author Leah Hager Cohen and director/screenwriter Patrick Wang. It’s safe to say that it was a genuine love-in, one that taught everyone present something about filmmaking, writing, and even – at the risk of sounding lofty – the human condition.

It helped that Wang and Cohen were friends long before they embarked on this collaboration. “I was a huge fan of Patrick as an artist, so it was easy to trust the sensibilities and ethics he’d bring to the project,” explained Cohen, who speaks in unusually sweet, precise cadences. “I was like, ‘I made this book, and now Patrick will make this film.’ It felt wonderful to let go of ownership.” Continue Reading →

"All, everything I understand, I understand only because I love."
― Leo Tolstoy