Though not terrible by any stretch of the imagination, Magic in the Moonlight is one of Woody Allen’s slightest efforts in quite a while. Its central star is the French countryside where it is based, with a distant second played by Colin Firth as an ill-tempered illusionist and Emma Stone as a medium who bewitches him with her bright blue gaze and seemingly legitimate psychic abilities. The dance between a depressive rationalism and magical thinking is a familiar Allen trope, and he brings nothing new to it here. What fun there is to be found stems from Firth sinking his fangs into another Mr. Darcy-like role as well as an unusually demure Stone; early reviews have largely amounted to the critical equivalent of a suppressed yawn.
Certainly the twenty-eight-year age gap between Firth and Stone has caused nary a stir. And that’s really something given that their age difference is actually two years greater than the one between Woody Allen and Mariel Hemingway, whose on-screen romance in 1979’s Manhattan caused such a flap. (Of course, Stone and Firth’s age difference still pales in comparison to the thirty-eight-year age gap between Allen and his real-life wife, Soon-Yi Previn, the adopted daughter of his former girlfriend Mia Farrow.) So what does it mean? Continue Reading →