Lars von Trier is not a brother who provokes a neutral response. There are those who feel he can do no wrong, and then there are naysayers like me. Although I consider Dancer in the Dark one of the best movies of the last decade, I swore I’d never sit through another of his films after suffering through the school-play machinations of Dogville. A guy who so unilaterally criticizes America without ever having stepped foot on its soil deserves a similar boycott, I declared.
But now that he’s taken psychological projection to unprecedented proportions, he’s become downright fascinating.