By the time the delivery guy brought me the wrong order yesterday, I was once again done with the human race and the complicated triggers and traumas we bring to every interaction, all of us butting up against each other like bullies in a sandbox, crying big tears when no one’s looking but fists balled just the same.
The irony of the delivery guy kerfuffle was that on Sunday I’d given an impassioned lecture about Jim McKay’s excellent En El Séptimo Dia, a neo-realist look at the challenges of being an undocumented immigrant working as a delivery person in Brooklyn, where white hipsters with leftist politics treat them like shit. And here I was grappling with the dilemma of how to get my food without causing this delivery person trouble. Especially since, judging from the slip he was wielding, the wrong order was not his fault but his boss’s.
I sorted it out with no permanent harm inflicted on anyone, I think, though not quickly enough to avoid the low blood sugar blues. By the time I finished eating I felt sorry I’d ever relied on other people for anything, even supper.
For the last six weeks I’d been trying to smooth my edges so someone could come close and by yesterday just felt gobsmacked–run over, if you must know. Continue Reading →
The best way to discuss this film may be to unpack it like one of those Russian nesting dolls that stack level upon level upon level.
So let’s start with who is behind this lens. As David may have told you, it is directed by Haiffa al Mansour, who also cowrote the script with Emma Jensen. Haiffa’s first feature was 2013’s Wadjda, the first Saudi-Arabian film to be directed by a Saudi woman. That in itself is a mind-blowing accomplishment, given the restrictions women face in that country, but the movie itself, a coming-of-age story about a female tween rebel, is a wonder. I strongly recommend it if you have not already seen it. Continue Reading →