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Paris, Our Sister

I’ve been awake for hours, early even for me except it’s not really my time I’m on but the time of the Parisians, many of whom will not be able to wake up from this nightmare for months to come. We longtime New Yorkers have a sense of how this feels. But each time the insouciance of daily life is replaced by an unanticipated human-made disaster of this scale, the nature of the living nightmare is horribly unique. Only one thing remains the same: that there is no true rest for a long, long time.  I am sending love, so much love–the energetic equivalent of a cool hand upon the forehead. At this rawest of hours (at every hour, really) it is everything that we can give.

‘Heart of a Dog,’ Swaddled in Fur

‘Tis the season for Oscar bait. Every week, more big-scale, self-serious films hit the multiplex, and though some are fantastic (“Room,” “Spotlight“), they tend to eclipse smaller projects like “Heart of a Dog,” a micro-budget meditation on loss, love, and one very charismatic pet. Yet this is quietly one of 2015 cinema’s best offerings – so much so that it’s gaining traction despite terrible odds. Recently acquired by Abramorama and HBO Documentary Films, it went into wider release a few weeks ago, and will receive an HBO debut in 2016. It’s no surprise, really, given that this film is written, directed, and narrated by Laurie Anderson. A true survivor in the precarious world of performance art, she has a long history of backing into success just by being her puckish, wondering self. Continue Reading →

Free Ophelia

Yesterday I took an enormous step. It was the sort of step that instantly broke lifelong patterns but left no footprint visible to the world at large—the sort that is the hardest aspect of real (not chronological) adulthood. To celebrate, I did not drink a vat of cocktails or inhale a box of chocolates. (I’ve been unsweetened since February.) Rather, I ate a kale salad and attended a critics’ screening of “Hunger Games: Mockingbird—Part 2,” which proved far more pleasurable than its overly punctuated title.

In general, this farrago of earnest vegetables and YA female bad-assery is typical of the tweeny old lady I have become—as if I now embody the full spectrum of Ophelia Syndrome-free womanhood. The remaining question, not to put too fine a point on it, is fucking. That is, how to resurrect—or simply insurrect—my sexuality among the rubble of projections, pits, and pedestals that first bombard women in pre-pubescence. I do not have an answer yet. But to my immense surprise, I finally feel that I belong to myself. Here at the shores of what our culture declares Sad-Lady Spinsterville I have found Wonder Woman’s elusive Amazonia, and lo! it is liberating, if also confounding. This transition from objecthood to sweet subjectivity is the biggest step of all, and I’m even glad there’s not a map. There is, however, a manual, and it’s cracking me up, with every attendant pun.

"All, everything I understand, I understand only because I love."
― Leo Tolstoy