Though criminally under-watched, “The Americans,” about a pair of KGB spies (Keri Russell and Matthew Rhys) living as U.S. travel agents Elizabeth and Philip Jennings in Reagan-era Washington D.C., is one of television’s most brilliantly absorbing shows. Without revealing any details, its season finale was such a cliff-hanger that it is hard to believe we have to wait until next year for another episode. The best cure for our separation anxiety? Education. This FX series references so many 1980s geopolitical issues that it’s hard to keep up, especially when we’re distracted by Russell and Rhys’s spectacular array of wigs. So why not transform this hiatus into a Cold War immersion camp?
Reds (1981)
At roughly three and a half hours, this Warren Beatty-directed epic about communism in World War I was the last studio film to require an intermission. Starring Beatty, Diane Keaton, and Jack Nicholson as “red-shirt” American writers bonded by romantic and ideological ardor, it dances between Russia and the United States with an elephantine grace and an appropriately scarlet-hued cinematography. As glamorous as it is long-winded, this is the ultimate Hollywood primer in the roots of the two countries’ long-simmering antipathy. Continue Reading →