Archive | TV Matters

Ann Dowd: Committed, Compassionate

Beztie and I toasted the Summer Solstice by going to hear our favorite character actor, Ann Dowd, speak at the SAT-AFTRA Theater about her brilliantly built career, from Philadelphia with the late, great Jonathan Demme, to Compliance, The Handmaid’s Tale, and, our favorite, The Leftovers. Dowd’s the best kind of transplanted Masshole: compassionate, committed, plainspoken as fuck, and a matter-of-fact witch. Her favorite phrase: “Can you believe?” Also she speaks with audible em dashes and is a legitimate late-bloomer; her career didn’t really take off until she was 56. Since I believe celebs stop growing as humans the minute they get famous, she may be one of the only palatable ones around. Oh, we just loved her.

The Happy Unhappy Ending

I adore this Emily Nussbaum take on Sex and the City, which, for all its micro-aggressive flaws, offered a realpolitik, pagan-spangled take on turn-of-the-millennium Manhattan and heterosexual, (white)lady congress. The final paragraph had me nodding like a banshee while also recommencing my book: “What would the show look like without that finale? What if it were the story of a woman who lost herself in her thirties, who was changed by a poisonous, powerful love affair, and who emerged, finally, surrounded by her friends?” Note to self: Living out most women’s worst fears brought out your best self. Tell your story, ladybird.

Always Forward: ‘Luke Cage’

Sadly, I wake with the sun no matter how late I go to bed, and today am both PMS-ing and hungover from Mothers Day. But even if I weren’t a hot mess, the montage of black men flaunting bullet hole-riddled hoodies while cops watch and Method Man spits Bulletproof Love, his homage to Luke Cage, would make me cry and cry. How am I just now watching this Netflix series? It’s a brilliant articulation of race in America starring Alfre Woodard, Mike Colter, and everyone I loved on the The Wire save String. It upholds the tenacity of the African diaspora as our country’s true superhero saga. And in Season 1’s last sequence, the late Sharon Jones brings it all back home in a shimmery sheath and her eternal big voice. Powerful stuff, powerfully shot on every level.

"All, everything I understand, I understand only because I love."
― Leo Tolstoy