Ever since I moved my bed next to the window, the first thing I do upon waking is open the curtain. Then, settled against the pillows, I join the sun as she slowly rises, drifting back from the heavens where we’ve both been traveling all night. After decades of living in New York, I’ve become so attuned to my environs that my mood shifts right along with the indigo streaking into violet into rose into orange across the sky. Outside is inside, and on most mornings I find that fact beautiful.
I’ve had a melancholy week. My birthday was a disappointment and that was mostly my fault, which only makes me more melancholy. But each day brings a new sun, and I’m just easy enough to let her magic work on me. Tonight helped, too. I was crowded into a rush-hour subway, ogling a woman’s mermaid afro and fuming over a man standing too close, when I spotted a Poetry In Motion sign that was like another glimpse from my predawn bedroom window. The poem nailed the aloneliness* that develops when you are unwilling to mingle your sourness with others’, and reading it among so many strangers’ private smells and worries made me feel grasped by something better than my past. As did the quiet blue rooms to which I was gliding and which I’d built myself. It was the sweet knowledge I could begin again. Again.
The quiet blue poem is by Maya Angelou, and it is a mighty anthem for any extroverted introvert.
Curtains forcing their will
against the wind,
children sleep,
exchanging dreams with
seraphim. The city
drags itself awake on
subway straps; and
I, an alarm, awake as a
rumor of war,
lie stretching into dawn,
unasked and unheeded.
*preferable to abject loneliness by virtue of being elective