Yesterday we taped the first episode of Talking Pictures since my back went kablooey (and yes that’s the official medical diagnosis). To celebrate I got it into my head to decorate my head, and so into my triple-braided bun wove pine cones and branches, baby’s breath, and tiny birds, an effect that raised more than a few eyebrows among the normally unflappable population of NYC. Chalk it up to the fact that I was reviewing the most recent iteration of Little Women, which I had approached with great trepidation and from which I had floated with great elation.
There have many, many film, television, and stage adaptations of Louisa May Alcott’s Civil War-set saga about four Massachusetts sisters who are rich in love and poor in cash–it’s a YA novel with which I’m plainly obsessed–but this is the most ravishing and the first that does not betray the intense feminism of its author. Directed by mumblemouth millennial Greta Gerwig (cue my trepidation), it boasts an intensely good cast including Soirse Ronan as stalwart Jo, Meryl Streep putting her mugging to good use for a change as drolly disapproving Aunt March, Timotheeee Chalomet very right (if too slight) as Laurie, and Florence Pugh, channeling the authentically big emotions of her Midsommar character to animate Amy, the most bedazzled and entitled of the March girls. (Laura Dern is too Modern Millie for the Marnie of my dreams, but I’ve always been immune to her Lynchian charms.) Continue Reading →