Ostara 2019!

Here’s to color and fragrance and winds and seeds. To pedals and petals and sunshine and mudlucious rain. To springing forward and the full moon in Venus’s Libra and even this dopy mercury retrograde in third-eye Pisces. And here’s to hope and fresh starts and always always love abloom. Happy Ostara, Happy Vernal Equinox, and—-o joy!—-Happy Happy Spring!

American PTSD

I’ve been thinking a lot about the cultural phenomena issuing from the trauma of a Trump presidency. In the first year, we had #metoo, in which powerful men who’d sexually assaulted and manipulated women (and sometimes men) actually faced consequences. It was such an obvious and constructive displacement of the rage we felt about not being able to unseat a well-known sex offender elected to the highest office in the land. Enter the 2018 elections, in which voter turnout hit a 50-year high, the Democrats finally took back the House of Representatives, and a record 117 women won office. More recently, have you noticed all the takedowns of liars and fraud schemes? Just today, my social media timelines include discussions of the admissions scandal; The Act, a Hulu series about the Munchausen by Proxy Syndrome queen DeeDee Blancharde; the Netflix and Hulu documentaries about the Fyre Festival fraud; and The Inventor, Alex Gibney’s doc about Elizabeth Holmes, the long-con CEO who even lied about her real voice. If only we could take down our Liar-in-Chief, too.

Then last night K and I saw Us, Jordan Peele’s brilliant followup to his game-changing Get Out. In the years leading to this Very White House, dystopia was the name of the Hollywood game. But now that a real-life dystopia has taken root, horror is the most logical cinematic response, and Peele’s American Horror Stories comprise an uprising unto themselves. Though his genius is fully his own, I believe the record-breaking public receptiveness to it partly can be attributed to the revelation that we’re in a real-Life American Horror Story. Exactly like that, actually. The demons of this country have been released like the spirits of a displaced Native American burial ground, and Peele’s reigning metaphor, the Sunken Place, reflects the ramifications of DT’s real gospel: Hate and Fear Thy Other.

We’ve all got PTSD–President Trump Stress Syndrome, also known as the DTs. And you know what? Some of our “symptoms” have been powerfully productive.

Christchurch: Light and Might

I know many of us are numb at this point. That we’re in year 3 of the most corrupt and dangerous administration to ever occupy the White House and I do mean White House. And that sometimes we’re afraid of saying the wrong thing–of making things worse while trying to make them better. But as a Jew, as a queer, and as a white woman, it is necessary that I do what I’ve been gently reminded all white people of conscience should do. And that is to explicitly condemn the white supremacy on the rise all around our beautiful planet, as was most recently evidenced by the terrorism that took the lives of 49 people and injured many more at the Christchurch mosques. Is saying something enough? Of course not. We must ensure this blind brutal hatred is never normalized as this administration would have it be. For make no mistake. It is not that our president does not care about Brenton Harris Tarrant’s motivation. It is that he condones it. And like all black holes (oh, the irony of that term), the bottomless, life- and light-sucking abyss that is White Supremacy will only gain momentum if we don’t condemn it every.fucking.time. Members of the Muslim community: you are seen, you are precious, you are loved. And I will fight for everyone I love with all my might and my final, dying breath. We must love everyone as we love ourselves, or else these peddlers of virulent entitlement have already won. Love is the only true light. Love is the only true might.

"All, everything I understand, I understand only because I love."
― Leo Tolstoy