To experience the work of performance artist Marina Abramović is to step outside of the time-space continuum. That’s how she likes it, I think, and that is why we flock to her unblinking gaze. This was most literally true at her “The Artist Is Present” show, which exhibited at New York’s Museum of Modern Art in the spring of 2010 and to date may be the most famous performance art piece of this millennium. In it, she took over the museum’s atrium and, adorned in a floor-length dress of wool and cashmere, sat eight hours each day in an armless chair as she silently held the gaze of every visitor who sat opposite her. Continue Reading →
