Archive | Book Matters

The Neo-Lolita Horror of ‘Lamb’

Oona Laurence is a remarkable actor. Barely a tween (and a small tween at that), she is technically a child actor. But because she’s hampered by none of the people-pleasing tics that doom most kid performers, it feels more accurate to simply describe her as an actor; if she chooses to, she’ll probably be just as deft at using her age as an instrument seventy years from now. Already she can look like an old woman in repose, which I attribute to the old-soul sadness she channels in films like last year’s “Southpaw” and “I Smile Back.” It is the grief of children who’ve already learned to cry without expecting comfort, and she takes it to new levels as the protagonist of “Lamb,” the adaptation of Bonnie Nadzam’s unsettling 2011 novel.

Laurence plays Tommie, the runty eleven-year-old daughter of parents (Lindsay Pulsipher and Scoot McNairy) so checked out that they don’t even bother to look up from their beers when she comes home in the middle of the night. She’s ripe, in other words, for some adult attention, which comes in the form of forty-seven-year-old David Lamb (Ross Partridge, tripling as writer/director), whom she approaches in a parking lot on a dare. Decked out in heels and a forlorn pink purse, she asks him for a cigarette while her friends titter; ostensibly to teach her a lesson, he hustles her into his SUV and then drops her off at home. Continue Reading →

The Top Ten Adaptations of 2015

When it comes to movie adaptations, this year was such an embarrassment of riches that making a top-ten list of best adaptations proved a tough task – if also a fun one. (No one’s ever going to pity a film critic for having to revisit movies she loves.) Of course, every top-ten list is sure to enrage as many people as it pleases, so read on and then tell me: What would be on your list of best 2015 adaptations? Here’s what I have on mine.

10) “45 Years”
Amid all the “Exotic Marigold Hotel”-style films about the Endearing Habits of Elders comes this shadowy and formidably honest portrait of an aging couple who discover they may not know each other as well as they’d thought. Sixties icons Tom Courtenay and Charlotte “The Look” Rampling star in this deft adaptation by screenwriter/director Andrew Haigh (“Weekend,” “Looking”) of David Constantine’s short story “In Another Country.” A final scene comprises the best minute of acting in 2015 cinema.

9) “Carol”
Adapted from Patricia Highsmith’s groundbreaking 1952 novel, director Todd Haynes’s latest film is easily the most hopeful love story of the year. Cate Blanchett stars as a married socialite with red lipstick to match her talons; all kewpie doll eyes and tiny pouts, Rooney Mara plays the shopgirl with whom she has an affair. Though this at times devolves into a Douglas Sirk museum, it also is a stunningly rendered paean to the courage that intimacy universally requires.

8) “The End of the Tour”
Though it may prove less satisfying to ardent fans of the late author David Foster Wallace, this adaptation of David Lipsky’s book, Although Of Course You End Up Becoming Yourself, about a five-day interview he conducted with the Infinite Jest author, offers flashes of insight that far outstrip its source material. Starring Jason Segel as Wallace and Jesse Eisenberg as Lipsky in a feat of casting that’s almost too on the nose, it it is directed by James Ponsoldt (“The Spectacular Now,” “Smashed”), who excels at exposing self-delusions with the gentlest of bedside manners. Continue Reading →

‘45 Years’: Rampling’s Many Looks

“45 Years” opens with a sixty-something woman walking briskly along an English country path. It is a grayish morning but not an unappealing one, and she is humming “Smoke Gets in Your Eyes” as she walks her dog on a leash. The song proves prescient: She greets her postman, enters her modest Norwalk home, hands the mail to her husband as he is groggily sipping his tea, and then watches her life explode, though it takes the duration of the film for her to realize what she has witnessed.

The woman is Kate (Charlotte Rampling), and her husband, Geoff (Tom Courtenay), has just received a letter stating that the body of his long-lost sweetheart has been discovered, perfectly preserved, in a Swiss glacier fifty years after she went missing on an Alpine hiking holiday the two had taken together. “It was a fissure – like a narrow crack in the rock,” says Geoff of the fault that claimed the woman’s life, but he may as well be describing the fault that will now splinter his marriage. Kate, with whom he is poised to celebrate his forty-fifth anniversary, has heard virtually nothing of this girlfriend he calls “his Katya” and for whom he has been named next of kin. Thus this film, directed and adapted by Andrew Haigh from David Constantine’s very fine short story “Under the Dam,” is a ghost story with no real ghost, not to mention an infidelity tale with no real infidelity. Continue Reading →

"All, everything I understand, I understand only because I love."
― Leo Tolstoy