Archive | Book Matters

A Gently Grown-up Film: ‘Learning to Drive’

“Learning to Drive,” about a middle-aged Sikh driving instructor and his middle-aged student, is a satisfyingly grownup movie. Its stakes are gentle but real. Its characters behave decently yet feel strongly, and their parallel worlds are unfair if occasionally joyous. For this reason but not this reason alone, this is a late-summer film to see, despite its pedestrian premise. (Puns are an occupational hazard when discussing this topic.)

The luminous Patricia Clarkson is rock-star book critic Wendy, whose enviable NYC intelligentsia lifestyle is in tatters since Ted (Jake Weber), her relatively unsuccessful husband, left her for a colleague, and her daughter, Tasha (Grace Gummer), took off for a remote Vermont commune. A lifelong city kid, Wendy realizes she’s going to have to learn to drive if she’s ever going to see Tasha again, so she enlists the services of Darwan (Ben Kingsley), an overworked Indian immigrant who drives a taxi by night and teaches driving by day. Continue Reading →

Interview: Adapting ‘The Grief of Others’

Though it’s rarely acknowledged, dynamics between authors and the directors who have adapted their books can be awkward, to say the least. This awkwardness was very much not in evidence at a post-screening discussion of “The Grief of Others,” about a family grappling with the death of their infant, that I moderated between author Leah Hager Cohen and director/screenwriter Patrick Wang. It’s safe to say that it was a genuine love-in, one that taught everyone present something about filmmaking, writing, and even – at the risk of sounding lofty – the human condition.

It helped that Wang and Cohen were friends long before they embarked on this collaboration. “I was a huge fan of Patrick as an artist, so it was easy to trust the sensibilities and ethics he’d bring to the project,” explained Cohen, who speaks in unusually sweet, precise cadences. “I was like, ‘I made this book, and now Patrick will make this film.’ It felt wonderful to let go of ownership.” Continue Reading →

A Huge and Savage Conscience

For three weeks, I’ve been reading Octavia Butler nonstop. I download her books from the Brooklyn library website—my favorite use of the iPhone technology finally introduced to my life—and I devour them while waiting in screening rooms, sitting on the subway, as soon as I finish work. I read them on park benches and I read them while eating bowls of spicy beans and grains and vegetables and fruits–meals I’ve unconsciously prepared according to her descriptions. I read these books until I fall asleep.

Butlers’ novels are not warm. They are stark and brave and painfully prescient. But like my understanding of God, they are all-encompassing and savage in a way I did not know I needed. She writes of the limitations of our species, of our un-useful constructs of gender and race and sexuality, of our bloodlust and unnecessary hierarchies. She offers a range of solutions in her many series, which, I am beginning to realize, weave into each other though those connections are not entirely spelled out. She may have meant to spell them out eventually: She died at 58 though she predicted that she would live until her 80s.Her abrupt demise–this unintentional discontinuity–feels like a challenge right now: Pick up your tools. Listen to the ancestors but do not heed them above your own instincts. Love what you can. Change what you cannot. Above all, never abandon your desire and will. 

I struggle with writing my books. Who cares if I finish them? What if they never find homes? Then I flash on Butler writing every night after spending every day cleaning other people’s houses; workin so beautifully with what our culture deemed bad odds but she deemed worthy challenges (lesbian, black, poor, dyslexic); making use of every scrap of science and spirit. I shake off my anxiety and loneliness. They are ill-afforded luxuries. I must try.

"All, everything I understand, I understand only because I love."
― Leo Tolstoy