Archive | Film Matters

‘45 Years’: Rampling’s Many Looks

“45 Years” opens with a sixty-something woman walking briskly along an English country path. It is a grayish morning but not an unappealing one, and she is humming “Smoke Gets in Your Eyes” as she walks her dog on a leash. The song proves prescient: She greets her postman, enters her modest Norwalk home, hands the mail to her husband as he is groggily sipping his tea, and then watches her life explode, though it takes the duration of the film for her to realize what she has witnessed.

The woman is Kate (Charlotte Rampling), and her husband, Geoff (Tom Courtenay), has just received a letter stating that the body of his long-lost sweetheart has been discovered, perfectly preserved, in a Swiss glacier fifty years after she went missing on an Alpine hiking holiday the two had taken together. “It was a fissure – like a narrow crack in the rock,” says Geoff of the fault that claimed the woman’s life, but he may as well be describing the fault that will now splinter his marriage. Kate, with whom he is poised to celebrate his forty-fifth anniversary, has heard virtually nothing of this girlfriend he calls “his Katya” and for whom he has been named next of kin. Thus this film, directed and adapted by Andrew Haigh from David Constantine’s very fine short story “Under the Dam,” is a ghost story with no real ghost, not to mention an infidelity tale with no real infidelity. Continue Reading →

The Ragged Glory of ‘Chi-Raq’

Nobody crafts an opening credits sequence like Shelton “Spike” Lee. In “She’s Gotta Have It,” photo stills of old-school Brooklyn are accompanied by his father, the legendary jazz composer Bill Lee. BK local Rosie Perez busts out her hip hop-boxing moves to Public Enemy’s “Fight the Power” at the start of “Do the Right Thing.” “Clockers” starts with a montage of taped-off Gowanus crime scenes as Marc Dorsey sings “People in Search of a Life.” Kids run through the Crayola-hued streets of 1970s Fort Greene as The Stylistics sing “People Make the World Go Round” in “Crooklyn.” “Da Sweet Blood of Jesus” begins with the gorgeously fluid dancing of Charles “Lil Buck” Riley set against the Red Hook waterfront. It’s one of the auteur’s many signatures: that big, beautiful heart worn proudly on his sleeve from the moment he fires each film’s starting pistol.

Relatively speaking, the opening credits sequence of “Chi-Raq” is pretty straight-up. I suspect this is not just because it is set in Chicago but because Spike is grinding his biggest axe since 2006’s very fine “When the Levees Broke: A Requiem in Four Acts,” which channeled the righteous anger of New Orleans residents after Hurricane Katrina. In bold, primary hues, the lyrics of “Pray for My City” – It’s Chi-Raq and my city’s lost/ I can’t fall victim to Satanflash – flash across the screen as they’re rapped by Nick Cannon, who plays the film’s titular character, the head of a fictional gang known as the Spartans. His street moniker stems from Chicago’s insidious nickname, which references that the number of the city’s homicides surpasses the number of American soldiers dead in Iraq. Continue Reading →

A True Siren: Illeana Douglas

Illeana Douglas may be best known for her work in such edgy fare as “The Larry Sanders Show” and  Allison Anders’s “Grace of My Heart” but she also is a true scion of Old Hollywood. Her grandfather was the multiple Oscar-winning actor Melvyn Douglas and she has counted among her friends such film luminaries as Marlon Brando and Martin Scorsese, with whom she had a relationship for ten years. Now she’s penned a memoir, I Blame Dennis Hopper: And Other Stories From a Life Lived In and Out of the Movies, that doubles as a series of profiles of some key Tinseltown figures.

LISA ROSMAN: Tell us about the title. “I Blame Dennis Hopper.” It’s so promising!

ILLEANA DOUGLAS: Well, it’s the running gag in my life. My parents saw “Easy Rider” and were so affected that they started a commune and began living off the land. As I grew up, I realized that not only did that movie directly change my life but it changed so many lives across America. Not just young people’s. Middle class, middle-aged people’s, too. To me, that’s the power of film. Later on, I got to meet Dennis Hopper and I said, “Thanks for ruining my life. You ruined a lot of people’s lives.” He was like, “Sorry.” It’s very sad he passed away because this was something I really wanted to explore in a documentary. He was talking about freedom, man, and a lot of people resonated with that. Continue Reading →

"All, everything I understand, I understand only because I love."
― Leo Tolstoy