It’s that time again. Along with the autumnal equinox, the Jewish New Year, and, this year, the East Coast visit of the Pope, the New York Film Festival is kicking off its fifty-third lineup with a signature mix of high-brow fare from around the world and mainstream entertainment. As always, a significant portion of the program promises to be literary-minded, so I’ve compiled a list of the adaptations that intrigue me most.
“Arabian Nights Volumes 1, 2, and 3”
Portuguese writer/director Miguel Gomes (and co-writer Mariana Ricardo) uses folk tales from the eponymous book to paint a portrait of Portugal’s current (and rather bleak) economic realities. At roughly 338 minutes, it is not for the faint of heart (The New York Times’s Manohla Dargis called it an “indulgence“) but the ever-maverick Gomes channels a rich, intellectually rigorous absurdism that suits the film’s sketch-within-a-sketch anthology format. Continue Reading →