Archive | Reviews

Natural, Formal: ‘Breathe’

There may be no human bond more powerful than the friendship between two teenage girls – which means, by the transitive property of adolescent hormones, that there may be nothing more powerfully destructive than the friendship between two teenaged girls. In the French-language feature “Breathe,” an adaptation of Anne-Sophie Brasme’s young adult novel, actress-turned-director Mélanie Laurent describes one of these relationships with a brush that, appropriately enough, is as beautiful as it is harrowing.

Charlie (Josephine Japy) is not having an easy time of it. Lovely in a mousy way, she seethes with a cringing resentment, especially when her parents – who are on the verge of breaking up due to her father’s infidelities – go at it while she bleakly maws her breakfast cereal. In other words, she’s ripe for an experience that will obliterate everything else. Instead of drugs or an eating disorder, she discovers honey-haired Sarah (Lou De Laage), a new girl in her class who exudes an enticingly subversive glamour. Wielding cigarettes and a perfect pout, Sarah announces that she’s moved back to France because Nigeria, where her mother still works for an NGO, has grown too dangerous. Continue Reading →

All Hail the Heroine’s Journey

It’s a special sort of movie that asks audiences to tag along on an extended trek by foot, as this month’s “A Walk in the Woods” does. An adaptation of Bill Bryson’s eponymous memoir, it stars Robert Redford as travel writer Bill Bryson, hiking the Appalachian Trail while reconnecting with an old friend, Stephen Katz (Nick Nolte). But the walkabout film is actually a beloved genre – perhaps because there is nothing more Hollywood than a hero’s (or heroine’s!) journey. Consider these other walkabout features, many of which, interestingly, are also literary adaptations. I’m deliberately omitting the “Lord of the Rings” and “Harry Potter” films (they get enough air time!) but what else do you think deserves mention?

“The Wizard of Oz” (1939)
Sure, “The Wizard of Oz” is another film that gets plenty of air time. But when was the last time you actually watched this adaptation of L. Frank Baum’s children’s novel? Dorothy (the great Judy Garland) and her ragtag crew get an awfully good workout as they wander through the emerald and straw-hued labyrinth of her exceptionally vivid subconscious. They even manage to warble a few catchy tunes along the way. See also: “The Wiz” (1978). Disco cities, disco soundtrack, young MJ, and D. Ross as Dottie? Um, yes please. Continue Reading →

A Gently Grown-up Film: ‘Learning to Drive’

“Learning to Drive,” about a middle-aged Sikh driving instructor and his middle-aged student, is a satisfyingly grownup movie. Its stakes are gentle but real. Its characters behave decently yet feel strongly, and their parallel worlds are unfair if occasionally joyous. For this reason but not this reason alone, this is a late-summer film to see, despite its pedestrian premise. (Puns are an occupational hazard when discussing this topic.)

The luminous Patricia Clarkson is rock-star book critic Wendy, whose enviable NYC intelligentsia lifestyle is in tatters since Ted (Jake Weber), her relatively unsuccessful husband, left her for a colleague, and her daughter, Tasha (Grace Gummer), took off for a remote Vermont commune. A lifelong city kid, Wendy realizes she’s going to have to learn to drive if she’s ever going to see Tasha again, so she enlists the services of Darwan (Ben Kingsley), an overworked Indian immigrant who drives a taxi by night and teaches driving by day. Continue Reading →

"All, everything I understand, I understand only because I love."
― Leo Tolstoy