Archive | Reviews

Let Down by ‘Low Down’

“Low Down” won the cinematography prize at this year’s Sundance Film Festival, and it’s easy to see why. The debut directorial feature of Jeff Preiss (director of photography on “Let’s Get Lost,” “New York Memories”), it is a crimson and gold reverie that bathes the seedy clubs and SRO hotels of early-1970s Hollywood in instant, bittersweet nostalgia. This is a film whose prism of sunlight and shadows would be worth watching all day long as a video installation. As a biopic, though, it is both too much and too little – a shame, as it is based upon A. J. Albany’s very fine memoir about her fraught relationship with her father, acclaimed bee-bop pianist Joe Albany.

Until her mid-adolescence A. J., or Amy Jo as she was called back then (she was named after two March daughters in Louisa May Alcott’s Little Women), was a team of two with her daddy. As she writes:

It wasn’t a musically productive period for him, but it’s when I knew him best. If he wasn’t in jail or rehab, we were together …. He heard music everywhere, in the squeaking of rusted bedsprings and the buzzing flies. Dripping faucets were filled with rhythms to him, as was the irregular flashing of the busted neon outside our window. Some shook their heads and thought he was a nut, but I never believed that. Continue Reading →

No Saving ‘White Bird in a Blizzard’

It’s hard to pinpoint the exact appeal of Shailene Woodley. Is it her throaty voice? Her eyes, piercing yet gentle? Those endless limbs, that defiant jaw? That slightly hippy-dippy honesty? Whatever it is, the twenty-two year-old can seemingly do no wrong. She’s terrific in such serious dramas as “The Spectacular Now” and “The Descendants”; she’s terrific in this year’s big-studio smashes “Divergent” and “The Fault in Our Stars.” But perhaps the true test of her potentially Julia Roberts-level stardom is whether she can carry off mediocre material. In the off-puttingly atonal “White Bird in a Blizzard,” the answer is: sort of.

The film is an adaptation of Laura Kasischke’s 1999 eponymous novel about Eve, a forty-six-year-old housewife who goes missing just as her daughter Kat becomes sexually active. Put bluntly, it’s no great loss that this book is now out of print. It is littered with psychological portent that’s never quite realized, insights into mother-daughter dynamics that fall flat, and enough purple prose to make the head spin. Continue Reading →

In Praise of the Weepie (‘St. Vincent’)

These days, earmarking a film as a weepie is like signing its death warrant. Not only will it be scorned but its ability to make us cry will be the only criteria by which it’s judged. And there’s no winning either way: If the film does induce tears, it’s lambasted for being manipulative. If it doesn’t, it’s not adequately doing its job.

Certainly “St. Vincent,” a heart-rending indie about the friendship between Vietnam vet Vincent (Bill Murray) and young Brooklyn boy Oliver (Jaeden Lieberher), may not be receiving the high marks it deserves. Admittedly, its premise could go either way. As Vincent, the vet in question, Murray is a broke misanthrope who spends his time gambling, drinking, and shtupping a pregnant Russian prostitute (Naomi Watts) until his newly single neighbor Maggie (Melissa McCarthy) recruits him to watch her twelve-year-old son. The hapless boy blooms, and Vincent proves far kinder than he seems – if still wildly inappropriate.

A grumpy codger with a heart of gold is not exactly a new story; everyone from Billy Bob Thornton to Walter Matthau to Jack Nicholson has tried his hand at it. God knows a hooker with a heart of gold is one of the oldest film tropes around. But by now everything’s been done a kazillion times so unoriginality is hardly a deal breaker. (Cue the myriad dystopias flooding multiplexes this year.) This film boasts an expertly layered story, with such strong dialogue, editing, and casting that it earns its keep, as well as the tears it inspires. That said, it might be lost without Bill Murray. Continue Reading →

"All, everything I understand, I understand only because I love."
― Leo Tolstoy