Get to Know Lisa Rosman Through Her Various Works

Six Swoony Vintage Meta-Musicals

After decades of being demonized as box-office poison, movie musicals are back – thanks in no small part to the millions of girls and boys still howling “Let It Go” more than a year after the theatrical release of “Frozen.” Last month, “Into the Woods” hit theaters, and audiences flocked to see the likes of Meryl Streep, Emily Blunt, and Johnny Depp chew up the scenery in Rob Marshall’s adaptation of the Sondheim multi-fairy tale extravaganza. This month it was announced that a movie adaptation of the Broadway smash “Wicked” is under way, with Lea Michele and Harry Styles possibly attached. And Richard LaGravenese’s terrific film adaptation of the off-Broadway hit “The Last Five Years” is poised to hit theaters in the next few weeks. Starring Anna Kendrick as a stage actress in a stormy relationship with a writer (Jeremy Jordan), it’s as much about the make-it-or-break-it world of show biz as it is about millennial romance.

To tide us over until these films hit theaters – and because, in general, great new film releases are hard to come by in the dark days of winter – here are six vintage movie musicals about musicals that deserve a second look. Continue Reading →

Subversive Scarlett

This month, it was announced that Scarlett Johansson would play the lead role in “Ghost in the Shell,” the first American adaptation of the popular anime book series about a female cyborg cop. Given the paucity of roles written for East Asian actresses, it is absolute tone-deaf bullshit that ScarJo took this role. What’s interesting: I believe this choice stemmed from her long-term, Scorpio-style campaign to subvert mainstream Hollywood’s endless wave of wife and prostitute roles. For ever since she broke out in 2003’s “Lost in Translation,” Johansson keeps playing against type – subverting her good looks by playing cartoons of femininity that, in many cases, are not even human.

Consider these six roles. Continue Reading →

A Sometimes Snag of Sola Ladyhood

Says Elaine Blair in her review of Rachel Cusk’s Outline:

We come to feel an intimacy with [single lady protagonist] Faye that has nothing to do with disclosure; though we know conspicuously little about her, we share with her the experience of listening to others, and, as we do so, it becomes clear that a certain kind of conversation is missing from Faye’s days and nights. No one speaks to her in the casual shorthand of daily intimacy.

Says I: Comes with the turf, though a Turf of One’s Own is still worth it.

"All, everything I understand, I understand only because I love."
― Leo Tolstoy