Archive | Age Matters

How We Survive

indian polish scottish jewI am the descendent of Pogrom and Holocaust survivors, Jews who came to this country as refugees from a Europe torn up by xenophobic dictators. When people on my father’s side arrived at Ellis Island, the United States was their safe space, their beacon, their golden land of opportunities. Until this week, I’d never shed their optimism no matter how much others legitimately complained about America. I knew that many people of color and indigent people never had that glow about this nation. I knew their ancestors did not arrive here with the same triumph. They were dragged here in chains, or already had been here, only to be robbed, tortured, serially murdered. My mother’s people said Sioux Nation members in our line had experienced such horrors. I knew all too well that this country was as founded on blood as it was on hope. Continue Reading →

Age and ‘Aquarius’

claraOne of my favorite freelance gigs is giving talks to local cinema clubs. The groups mostly are comprised of people over 50, which is my preferred demographic of human beings. As Louis CK once said, “Even the dumbest seventy-year-old is going to have seen more than the smartest twenty-year-old.” The following is a lecture I gave to a Westchester club about “Aquarius,” a long, demanding film that nonetheless held us rapt.

“Aquarius,” a film about Clara (Sonia Braga), a retired Brazilian music critic’s battle to keep her apartment despite pressure from real estate developers and her own family, is about so many things at once. It is a revenge thriller of sorts. It is a treatise on real estate development, greed, and the politics of housing, an issue we also are confronting here in the United States. It is is a rallying point for the Brazilian left, as many citizens in that country identify Clara with the Brazilian president impeached earlier this year in what many describe as a right-wing legislative coup d’état. But most importantly, at least to me, “Aquarius” is an unhurried, almost luxuriant portrayal of a complex sixtysomething woman who has led a very full life, and is still healthy and engaged enough to have many more years of joy and pains ahead of her. Continue Reading →

Rubenfire, Uncut (The Lifted Veil)

lilithIt’s Samhain–the Pagan new year, Halloween to nonwitches–and there’s a new moon in Scorpio, the sign of death and rebirth. The veil is lifted and the dark goddesses are all around us, Lilith in full effect. For nearly a week I’ve been haunted by my highest spirit, in addition to everyone else’s. I’d complain except I know this is the universe’s not-so-subtle way of nudging me forward since I’ve been resisting all gentler hints for the last six, twelve, oh, thirty-six months. A friend reminded me this morning of the words of Chickasaw poet Linda Hogan: “Suddenly all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands.” Tonight I feel that.

It was a quiet day–most of my Mondays are quiet, by design and default–and when I finished work I went to get my nails done. My manicurist’s name is Lisa too, and we’re the same age. She lives with no green card, three kids, and an “only half good” husband in a one-bedroom apartment. Still I see pity in her eyes as she cleans up the raw hamburger of my cuticles. “You’re strong,” she says. “You need someone nice.” She’s not wrong, though I’ve only recently admitted this. More than that, I can feel my great grandmother behind her eyes as she speaks–my grandfather, too. They’ve given up the idea of continuing their ancestral line but are still invested in healing it. Continue Reading →

"All, everything I understand, I understand only because I love."
― Leo Tolstoy