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The Ten Best Adaptations of 2016

Some years it seems every critically touted film is a literary adaptation. This year has not been one of them. So many year-end top-ten lists boast original screenplays that it seems Hollywood is finally trusting its writers. What we’ve lacked in volume, however, we’ve made up for in creativity, playing witness to a host of hidden gems, sly winks, unlikely translations, and flat-out jaw-droppers. It’s also been an especially women-focused year – both behind and in front of the lens. All in all, while assembling her annual list of the year’s best adaptations, this lady critic has realized she’s got zero complaints.

10) “Denial”
The Holocaust is hardly a new topic in cinema, but Holocaust denial had never been tackled before Mick Jackson’s able adaptation about Holocaust denier David Irving’s 1990s libel lawsuit against American academic Deborah Lipstadt, played by Rachel Weisz in an orange perm, pantsuit, and braying New York Jewish accent. (Irving is played with feral glee by the great Timothy Spall.) Channeling a lively fortitude that challenges legal and moral relativism, this is an eminently satisfying procedural thriller about that rare moment when the system actually worked for David rather than Goliath. Continue Reading →

Melodrama, Distilled: ‘Julieta’

“Julieta,” Pedro Almodovar’s adaptation of the Alice Munro Runaway short stories “Chance,” “Soon,” and “Silence,” was meant to be his English-language debut. Instead, he rechristened the protagonist Julieta and swapped out Vancouver for Madrid, where he contrasted her quiet despair with the bright colors and patterns that are not only that city’s trademark but the Spanish writer/director’s trademark as well.

If at this point you are thinking, “Gosh, I didn’t know Almodovar had a new movie, let alone that he had adapted Alice Munro,” rest assured you are not the only one. Early festival circuit responses were so lukewarm that its regular theatrical release was buried, and it didn’t even make the Academy Award’s foreign-language short list. Certainly this film has not made any critical top-ten lists except my own. For while I agree with critics who claim this is “not Pedro’s best,” I happen to think his best film (“Todo Sobre Mi Madre”) is one of the best films ever made. “Julieta” is merely one of the best films of 2016. Continue Reading →

In Praise of the Creative Adaptation

Adaptations that take artistic license with their source material may disappoint diehard fans, but they often are the best kinds of films when it comes to igniting the imagination. Tis the season of top-everything lists, so let’s take a moment to honor some super-creative, super unconventional adaptations – many of which are better than anything in theaters right now.

“Clueless” (1995)
Jane Austen’s books are so witty and romantic that each one lends itself perfectly to cinema. I’m a huge fan of “Sense and Sensibility,” the Ang Lee-directed, Emma Thompson-penned adaptation. Ditto for the BBC adaptation of “Pride and Prejudice” (ignore the Keira Knightley version) and Whit Stillman’s “Love & Friendship,” a silver-tongued adaptation of Lady Susan. But the most creative Austen adaptation has got to be director/screenwriter Amy Heckerling’s take on Emma, in which Alicia Silverstone plays Cher, a beautiful, rich, Beverly Hills high school A student who can’t stop herself from meddling in other people’s business. The cast is a who’s-who of soon-to-be-stars (Paul Rudd plays her ex-stepbrother/current love interest; the late Brittany Murphy plays Cher’s fixer-upper) and the plot is a Cracker Jack box of sparkling wordplay, ‘90s fashion, sly edits, and a moral compass that would please Austen herself. Continue Reading →

"All, everything I understand, I understand only because I love."
― Leo Tolstoy