Archive | Book Matters

The Family Trance, ‘The 9th Life of Louis Drax’

louis drax“The 9th Life of Louis Drax” is appropriately titled, not only because it went through many incarnations before its arrival in theaters but because it seems to contain the ghosts of many films within its 108 minutes. Released first as a 2004 novel by Liz Jensen, this story of a profoundly accident-prone boy was greeted with high if occasionally confounded praise. The late director/writer/producer/genius Anthony Minghella immediately bought the rights but died before he could complete an adaptation. His son, the moody-broody actor Max Minghella, eventually took over the project, and wrote a screenplay that has been directed and produced by French horror director Alexandre Aja.

That death and horror that surround this film’s inception extends to its content, for we meet the titular Louis (Aiden Longworth) when he’s already fallen into a coma after falling off a cliff. That the child is unconscious does not curtail his natural chattiness, however, and so we learn about the mysterious circumstances surrounding his accident. Continue Reading →

Sexual Manifest Destiny, ‘Dangerous Liaisons’

fatal femme“Dangerous Liaisons,” Stephen Frears’s adaptation of Choderlos de Laclos’ 1782 epistolary novel about the sexual schemings of the French pre-revolutionary upper crust, was released in 1988. This is fitting, for no decade of the twentieth century channeled the 1780s’ “let them eat cake” conspicuous consumption more overtly than the 1980s.

By 1988, of course, an uncomfortable self-awareness was sweeping the United States and England—not only because of the 1987 stock market crash but because of the dawning realization that AIDS was here to stay unless conservatives like British Prime Minister Margaret Thatcher and U.S. President Ronald Reagan finally acknowledged it as a legitimate health crisis. The party was drawing to a close but such ridiculous glitz as big hair, blackened catfish, and gold lamé dresses still dominated the cultural zeitgeist. If you replaced the post-punk soundtrack with the trilling of opera and slitted your eyes just the right way, it all looked exactly like Marie Antoinette’s doomed palace.

It is also fitting that Stephen Frears directed this adaptation. In such earlier projects as “My Beautiful Laundrette” (1985), in which he introduced the angular genius of Daniel Day Lewis to the world, and “Prick Up Your Ears” (1987), about the ill-fated gay playwright Joe Orton, the helmer had established his fierce class politics through the medium of sexual politics. With “Liaisons,” he was in his element, then—allowed to eat his cake too. Continue Reading →

Melodrama in “The Light Between the Oceans”

bleached-out lerve“The Light Between Oceans” is not the type of film that reviewers are inclined to love. Based on M.L. Stedman’s international bestseller, it is less a drama than it is a melodrama, which is currently one of film’s least fashionable genres. That’s a shame in my book, for I’m a big believer that cinema – and for that matter historical fiction – is an ideal forum for those sweeping, unruly emotions that modern life does not otherwise permit; witness the glory of Todd Haynes and Pedro Almodovar movies. Improbably beautiful and improbably anguished, “The Light Between Oceans” offers exactly that experience. Continue Reading →

"All, everything I understand, I understand only because I love."
― Leo Tolstoy