Archive | Book Matters

Admirable, Slick, ‘Unbroken’

Louis Zamperini’s death this past July triggered an international outpouring of grief on a scale typically reserved for the death of movie stars or royals. It makes sense. In his own way, Zamperini, who was ninety-seven years old, served as both rock star and royal. An Olympic champion runner in his youth, he survived years of torture in a World War II Japanese prisoner of war camp – not to mention forty-seven days adrift in the ocean after a plane crash – and went on to become an inspirational speaker and youth worker who radiated enough love that he touched even the most ardent of cynics. It’s not surprising that a biopic has been made about his life. It’s surprising that such a biopic hasn’t been made before.

“Unbroken,” which covers Zamperini’s life from his inauspicious childhood until his 1945 release from the camps, is Angelina Jolie’s third directorial effort. It is also by far Jolie’s strongest directorial effort – at least in part because brothers Ethan and Joel Coen shaped Laura Hillenbrand’s gripping, eponymous biography into a script so sinewy that it would be hard to screw up its epic story of survival.

The film begins with a bang, literally: We’re on a B-24 sent out on a U.S. bombing raid of a Japanese-held island in the Pacific. Continue Reading →

The Top 10 Literary Adaptations of 2014

In February of this year I began covering one of my all-time favorite topics–the intersection of books and movies–for the estimable site Word and Film.  It’s a job I adore, especially because it allows me to focus on literary adaptations.  Here are the top 10 of 2014.

10) Tie: “Wild” and “The Imitation Game”
The adaptations of Cheryl Strayed’s memoir about hiking the Pacific Crest Trail and Andrew Hodge’s biography of Alan Turing, the mathematical genius who helped end World War II, are about as divergent as two lone-wolf epics can be – except that they’re both so satisfying to watch. If the films are also just a wee bit slick, they feature such beautifully complex performances (from Reese Witherspoon and Benedict Cumberbatch, respectively) that we scarcely mind. What would this season be without a prestige biopic or two? Continue Reading →

No Condition for Love

From a 1984 interview with author Edna O’Brien:

Interviewer: Some think your preoccupation with romance verges at times on the sentimental. You quote Aragon in answer: “Love is your last chance, there is really nothing else to keep you there.

O’Brien: But my work is concerned with loss as much as with love. Loss is every child’s theme and writers, however mature and wise and eminent, are children at heart. I might, if the gods are good to me, find that my understanding of love has become richer and stronger than my dread of loss.

Interviewer: Is that why, in nearly all your novels, women are longing to establish a simple, loving, harmonious relationship with men, but are unable to do so?

O’Brien: My experience was pretty extreme, so that it is hard for me to imagine harmony, or even affinity, between men and women. I would need to be reborn.

"All, everything I understand, I understand only because I love."
― Leo Tolstoy