Archive | Essays
Kinsey Millhone Is My Kind of Dick
One very terrible summer, I was jobless, in the wake of a breakup, and looking at the wrong side of thirty-five. “I don’t know what to do with myself,” I told a librarian friend. “Read the Kinsey Millhone mysteries,” she said. “They’re bestsellers for a reason and there’s a ton of them.” By the summer’s end, lone-wolf private detective Kinsey had become my first fictional bestie since I’d ostensibly grown out of rereading Harriet the Spy at age 12. (I never really did.)
It’s no coincidence, that Harriet connection. Grumpy, idiosyncratic, and eminently decent, the subject of Sue Grafton’s bestselling alphabet series is the sort of tough-guy tomboy rarely found outside of children’s literature to all of our detriment. Like the love child of Mickey Spillane and Ramona Quimby, Kinsey suffers no fools and is only partially domesticated. Orphaned young, divorced twice, and child-free, she’s a former cop who prefers pickle and peanut butter sandwiches over salads, lifts free weights, cuts her own hair with nail scissors, and owns only one dress–a wrinkle-resistant black number for when she can’t get away with jeans and turtlenecks. Shacked up with a Japanese bobtail cat Ed in a garage apartment owned by Henry, her eighty-eight-year-old retired baker of a best friend, she regularly swills cheap white wine and frightening goulash at the local tavern with a handful of cops whom she sometimes dates and consults in the delightfully lo-fi world of 1980s Santa Teresa, a fictionalized Southern California town resembling Santa Barbara, where Grafton lives part-time. Continue Reading →
Jerry Lewis Needed the Applause
It’s hard to believe Jerry Lewis is really dead because he survived so many health traumas he seemed indestructible and because he’d been around since Moses so why die now? Normally I’d not comment on his passage beyond that because when you don’t have something nice to say, don’t say anything. (That voice alone, Jesus!) But it occurs to me that, by allowing himself to be cast as the most odious version of himself in the distinctly avant-garde The King Of Comedy, he not only let some extraordinary talent off the leash (Scorsese, De Niro, Bernhard), he created the prototype for basically half the films and TV shows we see today. Until TKOC, shows based on comics always sweetened their subject up; it’s not like The Dick Van Dyke Show showed raging alcoholic DVD blotto drunk, or The Mary Tyler Moore Show showed MTM spewing the retrogressive garbage she spewed off-camera. Would we have Louie, Seinfeld, The Larry David Show, The Larry Sanders Show, Master Of None, Funny People, Difficult People, 30 Rock–the list of meta comedies about churlish comics is endless–without Jerry Lewis as our sacrificial lamb? For better and worse, the answer is no. As he liked to point out: “He had great success being an idiot.”

