It started with a pair of heels clicking down the hallway of a dream.
I have a great grandmother I’ve never discussed here. She is a family legend and, like most family legends, a family shadow. She and I were never alive at the same time but she looks out for me like no one in my line but my mother’s mother Alice May, who died when I was 18.
This great-grandmother’s name was Rubenfire, which I learned long after I named my now-deceased kitty Ruby. Growing up I was only told that she was a very cruel woman who’d made a small fortune selling rags. Later I learned she was brave, charismatic, and resourceful, and that when she’d arrived here from Poland as a non-English-speaking teen, she’d done the only thing she could to support her children upon discovering her husband had started a new family in Brooklyn: She turned tricks, and eventually became a successful brothel owner in the Salem area of Massachusetts. Continue Reading →
“Cooked,” Michael Pollan’s new four-part Netflix docuseries about cooking past and present, features Pollan the historian, Pollan the sociologist, Pollan the aspiring chef, and, yes, Pollan the wrangler. He may not be wagging his finger at us as emphatically as he often does (see: The Omnivore’s Dilemma, “Food Inc.”) but the journalist can’t help but shame us about our terrible habits regarding the industry, preparation, and consumption of food. Though entertainingly educational and far gentler than his usual treatises, this is not a show to watch while eating. This is a show to watch while cooking – preferably from scratch.
Earlier this month, Jennifer Jason Leigh turned fifty-four. That’s middle-aged by any standards, not just at-thirty-she’s-over-the-hill Hollywood’s. Yet she’s knee-deep in a renaissance that may transform into a bona-fide career high, if it hasn’t already. On the heels of her much-touted voice work in “Anomalisa,” Charlie Kaufman’s animated feature, she’s received her first-ever Oscar nod for playing fugitive Daisy in Quentin Tarantino’s “The Hateful Eight.” What’s even more noteworthy: It’s her first major role since 2007’s “Margot at the Wedding.”