Archive | Film Matters

Bibi’s Touch (RIP Lady Andersson)

I’ve had this picture of Bibi Andersson taped to my icebox for as long I’ve lived in my apartment, which, coincidentally, is as long as I’ve been a sexually self-possessed woman. Really, it’s no coincidence at all, because Andersson was a wonderful role model in this department. Traditionally cinema has been a place where women mirror men’s desire rather than channel their own, and even now realistic female orgasms are the unicorns of the silver screen. Through all this Stepford sexuality strode Andersson, she of the cupid mouth and shark eyes—-a supreme subject rather than object. Once I invited a suitor up for a proverbial nightcap, and he took a long look at her flinty mug and said, “Why do you have this pissy blonde on your fridge?” “Cuz like seeks like,” I answered and swiftly showed him the door.

Caturday Night: Can You Ever Forgive Me?

Grace and I are rewatching the brilliant Can You Ever Forgive Me? on this Caturday night and once again are appalled it didn’t score a best picture or best director Oscar nom. Its nostalgia for 90s NYC–which was all about nostalgia for midcentury Manhattan and paying the cultural piper– is pitch-perfect, as is Melissa McCarthy as Israel, reminding us what a terrific actress she can be when her husband doesn’t have his meat hooks in her projects. Continue Reading →

An Earl and a Countess

Larry Rivers, “Formal Marriage Portrait Of Earl And Camilla McGrath.”

I’ve been reading a ton about Earl McGrath, the ultimate mid-20th-century arts-world mover and shaker– the only thorn who ever truly pierced Eve Babitz‘s side. Besties with Mick Jagger and Andy Warhol, the godfather of Harrison Ford’s kids, pals with Jasper Johns and Aretha Franklin and Babs and you name it, Jesus (probably Jesus too), he presided over everyone’s parlor, curating the best be-ins and the slyest jokes. Continue Reading →

"All, everything I understand, I understand only because I love."
― Leo Tolstoy