Lumet’s Emerald City (lit by Oswald Morris; costume-designed by Norma Kamali).
It’s 7:30 am Sunday morning, and I’ve been up for hours.
That I rose before dawn is not uncharacteristic. But I’d planned to sleep in this morning. To bask in a morning of quiet stillness, quiet comfort after returning from a wonderful week alone in the woods of Columbia County and jumping head-long into the clamor of New York.
I spent so much of this busy weekend activated by the presence of others—in sessions with clients, then walking and dining and bedding my beau—that today I was pulled out of sleep hours before dawn, the need to process my interactions more powerful than my need for rest.
Mae Sarton has a wonderful passage in Journal of a Solitude about shutting the door to the world.
Begin here. It is raining. I look out on the maple, where a few leaves have turned yellow, and listen to Punch, the parrot, talking to himself and to the rain ticking gently against the windows. I am here alone for the first time in weeks, to take up my “real” life again at last. That is what is strange—that friends, even passionate love, are not my real life unless there is time alone in which to explore and to discover what is happening or has happened. Without the interruptions, nourishing and maddening, this life would become arid. Yet I taste it fully only when I am alone…
I find that last line less ironic than simply factual. Because I do not just absorb other people’s realities. They absorb me. For me to spend time in the presence of anyone is to climb inside them, so that I am regarding the world through their senses, processing information through their nerve-endings and brain synapses. Continue Reading →
As we move through this first week of a new year and await the results of the pivotal senate races in Georgia and Trump’s last-ditch coup attempt, I’m reminded that even when change feels too slow—or nonexistent!—it’s unfolding as it should.