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Lilacs Twice and Desert Sun

Lately I keep whispering to myself: “You saw lilacs twice this year.” And it’s true. I saw them bloom in Brooklyn in early May, and then again when I traveled up to Provincetown and Greater Boston later that month. It was a shock, really. I’d been driving up terrible old Route 6 of Cape Cod when this heady fragrance started supplanting the gas fumes. It took a hot minute to realize the smell was not me having a stroke but lilacs. Again.

These last few months have been like a magic hour that just hasn’t ended.

I had so dreaded this year. Had seen the writing on the wall about the demise of my NY1 show and labor journal job; had been waging a legal battle of the sort that few long-time New Yorkers elude (housing-related); had regarded the second half of my forties as–oh, I’ll just say it–the beginning of the end. The boobs falling, the hair greying, the eyesight fading. You get the picture. Not pretty. Continue Reading →

Lady-Made Nature

I had another bad writing day–can I write a book? is this something that should even happen?–so I put on my raincoat and sailed into this stormy day to look at paintings. Fine arts is a relatively new fascination for me. My mom has a BFA from Massachusetts College of Arts so I always focused more on film and literature (and fashion, who am I kidding?). Recently, though, I’ve really fallen in love with the rainbow time capsule offered by painting and, to a lesser degree, sculpture; I’ve even written critical essays about a few key shows this year.

I went to the Rachel Uffner gallery to ogle “Same Space, Different Day,” an exhibition featuring the paintings of Shara Hughes, who captures the glee of childhood with an old soul scope and a punkrock fairytale palette. Man o man, do I love her work. I first noticed it a year ago–she doesn’t live far from me in the Williamsburg-Greenpoint neighborhood of Brooklyn–and today was lucky enough to talk to Ullner herself about what makes Hughes unique to people far savvier than me. Continue Reading →

The Color of Everything

The best part of April is its explosion of color after winter’s black-and-white hegemony: reds, pinks, yellows, oranges, yellows, and greens. So many greens. This year, with hateful extremists running—ahem, ruining—the show, the metaphor offered by spring’s rainbow feels especially resonant. I’ve written about this before but it bears repeating with the new season: As a psychic, color is the most important part of every day. I often know the color before I know the story, and hue is the most important element of any outfit or space. Truly, I am so grateful for all the color each person radiates, for it is integral to our greatest gift: that we are each part of everything.

Pic: Brooklyn Botanical Garden

"All, everything I understand, I understand only because I love."
― Leo Tolstoy