Padding Through the Looking Glass
My permakitten Gracie pads through all my dreams lately. At this point we’re so close–we’ve been with each other through illness and poverty and loneliness and heartbreak—that my central nervous system automatically calms whenever I feel the pressure of her tiny warm body. I’ve taken her with me on trips upstate and to the sea. It only makes sense that she accompany me to the other side as well.
The night before last, I dreamed that she was a tiny purple sea horse—an animated one who leapt off a smart phone screen to swim next to me everywhere I went. Everyone could see her but no one knew what to do with the vision. Then the phone got scrambled—it was just a wave of pastels rolling on the screen—and I couldn’t find her anywhere. To make matters worse, I was on a train, which disappeared once I stepped off briefly to find better cell reception. I couldn’t retrieve my bags, couldn’t even find the train. Naturally I discovered I was on my ex’s property, and so had to take pains to avoid him as I searched for my life’s possessions as well as dear Grace. I realized I had nothing of my own.
It was a desecration of what had been a lovely dream.
Last night I dreamed Grace and I were at a house party—a mansion party, really, but as the awkward evening unspooled, it became clear it was really a funeral. These very wealthy people didn’t know how to navigate death (something they couldn’t control) so they’d acted like the occasion for convening was an ordinary party rather than the death of a friend.
I was cynical but nonetheless present. Grace was exploring the many halls, skidding down endless, shiny wood floors. I encountered a staircase that (naturally) didn’t extend all the way from the mezzanine to the first floor. I cracked some jokes about it—a bunch of us (including another ex) were descending the stairs together in order to attend what had suddenly been announced as a memorial service—and everyone laughed. I felt gratified and mean (not an unfamiliar feeling for me). Continue Reading →
Fall Aside
Some parentheses-laden mash notes from a mid-morning walk down the Greenpoint stretch of Manhattan Avenue: 1. I love when health food store clerks loll outside their work buildings, smoking. (NYC balance, baby.) 2. I love being able to wear a trench coat without sweating. (Flasher chic, baby.) 3. I love lower-income children more easily than well-off ones (at least as a passer-by; no one said life was fair). 4. I sort of love when Poles speak to me in their mother tongue. On one hand, the reason I don’t know Polish is because all my Polish (Jewish) ancestors either died a horrible death at the hands of (possibly) their ancestors or just barely escaped them. On the other hand, it’s a high compliment to be confused for a Polish lady. 5. Speaking of which, I love the Polish lady I met in line at the dollar store. When I complimented her turquoise beret, she pulled it off and showed me her bald scalp. “I’m sick,” she said,
and held my hand until the cashier was ready to ring up her purchases. (I send her more love right now.) 6. I I love, love, love October. Come autumn, even this finely feathered city smells, looks, and feels magic. Smoke, drying leaves, dying earth: No wonder my best love affairs have always begun this time of year. (Extrapolate away.)
Let Down by ‘Low Down’
“Low Down” won the cinematography prize at this year’s Sundance Film Festival, and it’s easy to see why. The debut directorial feature of Jeff Preiss (director of photography on “Let’s Get Lost,” “New York Memories”), it is a crimson and gold reverie that bathes the seedy clubs and SRO hotels of early-1970s Hollywood in instant, bittersweet nostalgia. This is a film whose prism of sunlight and shadows would be worth watching all day long as a video installation. As a biopic, though, it is both too much and too little – a shame, as it is based upon A. J. Albany’s very fine memoir about her fraught relationship with her father, acclaimed bee-bop pianist Joe Albany.
Until her mid-adolescence A. J., or Amy Jo as she was called back then (she was named after two March daughters in Louisa May Alcott’s Little Women), was a team of two with her daddy. As she writes:
It wasn’t a musically productive period for him, but it’s when I knew him best. If he wasn’t in jail or rehab, we were together …. He heard music everywhere, in the squeaking of rusted bedsprings and the buzzing flies. Dripping faucets were filled with rhythms to him, as was the irregular flashing of the busted neon outside our window. Some shook their heads and thought he was a nut, but I never believed that. Continue Reading →
