Evie playing chess with Duchamp to make boyfriend Walter Hopps jealous. My guess is that it worked.
Once upon a time, the brilliant essayist Eve Babitz was also a painter. In the 1960s she was not only known for her magical groupie powers but for some of the key album covers of that decade–most notably a collage for 1967’s Buffalo Springfield Again. And although she had limited patience for movie stars (she did deign to fuck a young Harrison Ford, but then he was mostly a weed dealer and shoddy carpenter), she hobnobbed with some of America’s most-touted artists–among them Annie Leibovitz, Ed Ruscha, Andy Warhol, and Marcel Duchamp. (Only one of the aforementioned never saw her naked in person.)
But one day Evie put away her brushes for good. And the reason, at least according to every teller of the tale (including Eve, who is honest if not exactly truthful), can be traced to one seemingly offhand remark by Earl McGrath. A sort of Oliver Wilde-cum-Leonardo Da Vinci-cum Frank Abagnale Jr cad-about-town who quite possibly was her only true match and definitely her only worthy frenenemy*, McGrath gazed upon one of her paintings.
And after an exceptionally pregnant pause, said only: “Is that the blue you’re using?” Continue Reading →
