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Autumn of My Discontent

Begin here. It is Monday and deadlines once again loom. I have films to watch, review copy to write, eyebrows to wax. I have done what I can to prepare—my laundry is done, my house is spotless, meals has been cooked for the week. And once again almost everything on my to-do list is something I like. But aspects of this week require Churchill’s “courage to continue,” and my nervous system registers this shrilly. Just another day on the IRT, as they used to say. To abate my anxiety, I can take another dance class; I can go down to the water and make some offerings; I can plan an end-of-day drink with a friend. I will likely do all of these things. But the blank slate that I desire—a week of fireplaces and tromps through the woods and reading by the fire and gorgeous meals I did not cook and ogling big skies—still evades me. Even yesterday I was pulled into action. The sun was bright, friends were in town, errands demanded to be run. I was a blur.

I am lucky enough to have realized some of the dreams of my youth, and to know I may realize even more. But today, this fall, this year, my fantasy is so prosaic that I am amused that it keeps moving out of my reach. Utopia: perfect place, no place. Ah, well. Perhaps I will have a Winter of My Content.

Library Film Club: ‘All That Heaven Allows’

This Saturday (November 7), the Leonard Library film club is having its way with the swoony Douglas Sirk film “All That Heaven Allows,” and I’m co-hosting. About a love affair between a rich Connecticut widow (Jane Wyman) and her wild-child gardener (Rock Hudson), it’s an impeccably painted indictment of 1950s American mores that still feels resonant today. Given that Todd Haynes’ latest, “Carol,” is a Douglas Sirk museum unto itself, it’s a good time to revisit this midcentury master of technicolor melodramas. Come to our free 2:30 screening; join in our inevitably lively conversation afterward. If this warm snap continues, we’ll be jawing in the gaaaahden.

The Leonard Library is located at 81 Devoe St. at Leonard St., Williambsurg. The event begins at 2:30 pm.

‘Spotlight’: The Underbelly of Tribalism

If last month’s “Truth” sings a swan song for the nobility of the media, “Spotlight,” about the Boston Globe’s Pulitzer Prize-winning exposure of the widespread pedophilia and subsequent cover-ups within the Catholic Church, reminds us that good journalism is not only necessary but possible. It does this by, pardon the pun, practicing what it preaches, and the result is a profoundly satisfying film – perhaps the most satisfying film that American cinema will deliver this year.

Keeping up the good form he introduced in last year’s “Birdman,” Michael Keaton stars as Walter “Robby” Robinson, a Boston native who is the editor of Spotlight, an investigative arm of the Boston Globe that’s comprised of Michael Rezendes (Mark Ruffalo), Sacha Pfeiffer (Rachel McAdams), and Matt Carroll (Brian d’Arcy James). All four are lapsed Catholics with Boston roots, which would be neither here nor there had Marty Baron (Liev Schreiber) not just been appointed as the paper’s new editor. It is the summer of 2001, and The Boston Globe has recently been purchased by The New York Times. Baron, a transplant from Florida who is the first Jew ever to hold the position, is a true outsider and is treated accordingly – not only because of professional concerns (he cut staff by fifteen percent at his previous paper) but because Bostonians are, fundamentally, territorial pissers. (To be clear, I am and always will be a proud Masshole.) Almost immediately upon his appointment, Baron commissions a resistant Spotlight crew to take another look at rumors of cover-ups of priestly abuse. As it turns out, he’s right to do so, and the reporters are soon knee-deep in the story. Continue Reading →

"All, everything I understand, I understand only because I love."
― Leo Tolstoy