Archive | Feminist Matters

She Made Our Mind: Toni Morrison, 1931-2019

I heard the news that our forever Nobel Laureate died today and stopped what I was doing and just cried. Not because I knew Toni Morrison or even loved her the way I have loved some authors in my life–as if they were my godparents, as if they were my hand-holding guides. But because she was our literary leader. Our temporal foremother.

Through her voice coursed reason and righteousness and great great rage and always a syncopated stylish rhythm. Also joy and the bluest birds. She was the most American writer the 20th century ever birthed: Starting with the ancients (all of them, not just the blue-eyed devils), she wrangled with every bard and bastard in her deep sea of a gaze (her dap see). Then she scanned our whole desperate diaspora and showed us how we could tell, who we could tell. Who we could tell on. This she did with the grave and greatly earned presumption that US history was hers for the raking.

Today as I weep the tears someone else may have wept when Kennedy was shot, I think of Jazz. Maybe some view it as her lesser work, if she had one. But it’s the one that most terribly and terrifically invades my innards. In it she wrote:

Pain. I seem to have an affection, a kind of sweet tooth for it. Bolts of lightning, little rivulets of thunder. And I the eye of the storm. What’s the world for you if you can’t make it up the way you want it?…. Don’t ever think I fell for you, or fell over you. I didn’t fall in love, I rose in it. I saw you and made up my mind. My mind.

Her mind is the one we still need in this desperate moment in America. But she has earned her rest so let her mind become all of ours. The timing of a great public figure’s death is never a coincidence—usually, it’s when we most need their light to shine through all of us. Throughout her career, Chloe Ardelia Wofford compelled us with lightning-and-thundering to reckon with the truest legacy of America—its rusty rusty bloodshed, its tarnished tarnished hope. More than that, she reminded us we always have a choice even if we don’t dig slim pickings. So let’s not just mourn her. Let’s make Her Mind.

Change the Record, Change Your Life

I woke wanting to listen to Aretha. No big surprise there, though I haven’t been listening to my queen lately; it’s still too painful. What I really wanted to hear was new music by her, but this is no small feat when you’ve been obsessed with a now-deceased singer since you were a child.

It was a desire sparked by seeing Malcolm X at BAM last Saturday. It’d been so swampy that weekend, and R and I had been casting about for something to do that would diffuse the intense awkwardness of feeling like strangers after having been lovers for years and then not speaking for years after that. So it wasn’t just the prospect of seeing the Spike Lee biopic on a big screen that had dragged us three neighborhoods from our own as temperatures climbed into the 100s. We’d had to balance the prospect of sitting in pools of our drying sweat against the promise of a hefty distraction, and the latter had won.

The joint was packed, and not just because of that AC. Everyone in attendance was agog over the choreography and catharsis and craftsmanship and charisma and certitude. This was a 3.5-hour film, yet there was none of that BS chatter and smartphone-checking you find these days at a public screening. In the last 10 minutes, the late, great Ossie Davis delivered his eulogy for Malcolm, and all around me people sat silent except for the occasional nose-honking.

Over the credits sailed an Aretha recording I’d never heard before: “Someday We’ll All Be Free.”

Until the last credit R and I sat still. At the beginning of the film he’d reached for my hand and I’d been stiff, like a child afraid to disappoint a needy elder. Always sensitive to rejection, he’d dropped it after a bit and I’d forced myself not to soothe his ruffled feathers by reaching back. I’d promised myself I wouldn’t initiate any physical contact I didn’t desire. He’d done that enough for us both. Continue Reading →

Dowager Shock

I think to myself sometimes—maybe you do too— why all the selfies?

I barely took a picture of myself until I turned 40. But I spent yesterday with an old lover and it gave me an inkling of an answer: You really can’t go home again. Not because time is hopelessly linear but because if you keep on self-reckoning, eventually you outgrow obfuscation and objectification, diminishment and toxic possession. Shame. You stop saying, “Daddy, please approve of me.” You start saying, “Daddy, you have no invitation nor right to my deference.” Which is to say: you stop taking or talking jive. And maybe that’s why I take these pictures now. To remind myself that, despite the fact that I have aged out of viability in the eyes of patriarchy, despite the fact that I am untethered to a romantic relationship or biological family, despite the fact that I have very little cash nor clear prospects, despite the fact that I carry more weight than ladies are programmed to allow themselves, I am still here. At 48, I am more sure than ever before of who I am, what I can tolerate, how I can serve, and of the space I claim. So today I put on eclipse-season, mercury-retrograde, dowager-chic armor: a boob-revealing mini dress, platforms, 4D hair, lipstick, big glasses, fannypack—essentially I transformed myself into a 6 foot 4 spacecrone. And what I am saying—what I always am saying in Trump’s fucked-up, cockocratic, white-supremacist dystopia—is this: I’m not just a lover. I am a fighter. And I have earned the right to look back at you.

"All, everything I understand, I understand only because I love."
― Leo Tolstoy