Archive | Feminist Matters

‘Testament of Youth’: Women at War

Cinema may forever be reminding us that war is hell but rarely does it offer us female experiences of that hell. “Testament of Youth,” a sweeping adaptation of Vera Brittain’s memoir of World War I, goes a long way toward correcting that inequity, even if its Masterpiece Theater sensibilities don’t quite measure up to the sparkling acuity of its source material.

The film opens on Armistice Day, 1918, as Vera (Alicia Vikander), drawn and bleak, staggers among the celebrating throngs. Flashback four years, when she’s a bourgeoisie bluestocking angling to attend university against the wishes of her regressive parents (Emily Watson and Dominic West; wherefore art thou, McCuddy?), and playing one of the boys with her brother, sensitive musician Edward (Taron Egerton), and his school chums Roland (Kit Harington, showing 100 percent more range than he does in “Game of Thrones”) and Victor (Colin Morgan). With his brooding good looks, realms of poetry, and suffragette mommy, Roland’s got the makings of more of a pal, and the first bit of this story dwells on their burgeoning romance as she makes her arduous way through Oxford’s gates. It all changes just before she begins her studies, when Britain declares war on Germany, and a concern that has only faintly shadowed Brittain’s upper-class life becomes critical. All three boys enlist, and Vera finds the collegiate life she’d craved so trivial that she enrolls as a military nurse, working domestically and then on the French frontlines as she grapples with tragedy after tragedy. Continue Reading →

The Low Notes of ‘Pitch Perfect 2’

Here at Word and Film, we are not in the business of grading movies. But if I were to grade “Pitch Perfect 2,” the much-anticipated follow-up to the breakout 2012 musical comedy, I’d give it a solid B. As sequels go, that’s not bad, and the film deserves extra points for sidestepping the meta-movie trap into which so many comedic sequels fall. (Here’s looking at you, “22 Jump Street.”) But, though I’m a huge fan of its pop-feminism and hip a cappella (no, that’s not an oxymoron), “Pitch Perfect 2” doesn’t quite hit the high notes of its predecessor. Chalk that up to a too-many-cooks-in-the-kitchen plot and a disappointing profusion of micro-aggression. Continue Reading →

Child-Free and Sans Regrets: TV’s Non-Moms

Mother’s Day is one of the more loaded holidays on the calendar. It’s lovely to celebrate your mom if she’s still alive and if you have a good relationship with her, and it’s lovely to be celebrated if you are a mom. But that’s a lot of conditionals, especially for the millions of adult women who are child-free. Whether you’re not a mother by choice or through circumstances beyond your control, the media isn’t exactly your pal this time of year. In fact, though I initially envisioned this piece as a list of films about adult women who are happily child-free, I quickly realized I might as well go unicorn hunting. Unattached women of any sort don’t fit into Hollywood’s idea of a happy ending.

Television does better by the ladies in this department, as in so many others. Sure, self-possessed, child-free women are still few and far between. As much as “Parks and Recreation” was generally a feminist paradise, April Ludgate’s change of heart regarding motherhood seemed an unnecessary betrayal of her character, and Leslie Knope’s triplets seemed tacked-on as a plot point. The distinctly un-nurturing Murphy Brown opted for single mamahood eventually (though that was revolutionary in its own right), and even Miranda Hobbes of “Sex and the City” couldn’t go through with her abortion. Christina Yang of “Grey’s Anatomy” did, and her fiery red-haired husband never let her forget it. Continue Reading →

"All, everything I understand, I understand only because I love."
― Leo Tolstoy