Archive | Film Matters

Lithium Cinema: ‘I Smile Back’

It is hard to think of a better-titled film than “I Smile Back.” Ostensibly about the nervous breakdown of well-off housewife Laney Brooks (Sarah Silverman), it is also about the price we pay when we suppress our real responses – when we laugh at an unfunny joke, feign fascination when we’re bored to tears, repress our anger around a phony or a bully. When we smile back when we feel like screaming or crying.

Silverman, as it happens, possesses a wide variety of smiles in her arsenal. We’re well acquainted with many of them through her Emmy Award-winning stand-up: the lopsided smirk that precedes her best punch lines, the goofy grin she wears at her most salacious, the simpering that accompanies her nasal singsong. She employs all these and many more – leers, cry-smiles, heart-breaking beams – as Laney, who already is in the throes of a downward spiral when we are first introduced to her.

The mother of adorable elementary school-aged children Eli (Skylar Gaertner) and Janey (Shayne Coleman) and wife of insurance guru Bruce (Josh Charles), Laney lives in a sprawling New Jersey house that is too tasteful to be an outright McMansion and too sterile to be truly warm. She occupies it as gingerly as she occupies her fortysomething body, which she regards with great disappointment in the bathroom mirror right before she hoovers a line of cocaine, drives her kids to school in a shiny black SUV, and then has hot hotel room sex with someone else’s husband. Continue Reading →

Belting to the Bleachers

Yesterday had many lows but one enormous highlight, which occurred when my companion referenced “like, the telephone switchboard scene in that weird 50s movie.” “Aha!” I said, and, fingers snapping, belted out a stanza of “Telephone Hour” from Bye Bye Birdie: “WHAT’S THE STORY, MORNING GLORY? WHAT’S THE WEEEERD, HUMMINGBIRD? DID YOU HEAR ABOUT HUGO AND KIM? DID THEY REALLY GET PINNED? DID SHE KISS HIM AND CRY? DID HE PUT THE PIN ON? OR WAS HE TOO SHY?” His dismay, which grew palpable as I went on to joyously warble the whole score, only increased my joy. Musical theater nerdery requires no external approbation. Good thing, too.

Why Hollywood Loves Boston

Last month, “Black Mass,” the biopic starring a blue-eyed Johnny Depp as the notorious Boston gangster Whitey Bulger, hit theaters to mixed acclaim. “Black Mass” is not to be confused with “The Departed,” Martin Scorsese’s 2003 cops-and-robbers opus loosely based on Whitey. Nor is it to be confused with “Whitey: United States of America v. James J. Bulger,” the Whitey Bulger doc that came out last year, nor the other Whitey Bulger biopic that Ben Affleck was reportedly going to make after he finished the movie he’s adapted from the novel Live by Night by Boston screenwriter/author Dennis Lehane that is also about Boston gangsters. Then there’s “Spotlight,” the Michael Keaton vehicle about The Boston Globe‘s investigation of the Catholic Church cover-up scandal, which opens in wide release next month and has already generated serious Oscar buzz. In other words, Boston is all over the multiplexes, business as usual.

But why is this business as usual, especially since very few Hollywood actors can pull off that curious mix of dropped Rs and wide As that comprises an authentic Boston accent? (Lord knows Michael Keaton can’t.) Continue Reading →

"All, everything I understand, I understand only because I love."
― Leo Tolstoy