Get to Know Lisa Rosman Through Her Various Works

Sox and the City, Baseball Caps and the Shitty

Kristen Schiele, 2019

As soon I finished my block of intuition readings yesterday, my immune system 100 percent hit the wall. My clients were lovely, but with Mercury in Cancer during Gemini season, people are projecting their big emotions rather rather than filtering them. You can’t walk down the street without tripping over a weepy, explosive confrontation. The effect is toxic.

Word to the wise: All projection but astral projection is ill-advised. Eh, film projection is all right, too.

Being sick this time of year is miserable. It’s also discombobulating, because these should be halcyon days. NYC has so few blocks of decent weather that when they arrive you want to call in happy to every obligation hanging over your head. Instead all I’ve been able to do on this sunny, clear Sunday is writhe on my bed, feverish and clogged up. Oy vey, I moan.

Question: When a writer’s whining in her apartment and no one’s there to hear it, is she really whining? Answer: Oy vey, yes.

And sola dwellers must fend for themselves, no matter how they’re ailing. So this morning I put on a schmata–no point in combing my hair–and hobbled down to Whole Foods for the sort of provisions that might miraculously restore my health, or at least not worsen it. Usually I stave off my Whole Paycheck crabbiness with good deals on free-range chicken (and Fairway). But the number of white guys in baseball caps and expensive footgear who bumped into me because they were fiddling with their phones while wandering up the aisle– not looking up, not soldiering bags, JUST LETTING THE LITTLE WOMEN BY THEIR SIDES DO THE ACTUAL FORAGING–was simply mind-boggling. Okay, the number was three but, oy vey, that’s a lot given that it was only 8 am and it’s 2019. Here they were, taking up space but in no way interacting with it, let alone improving it.

The metaphor loomed.

Here’s the thing. I’ve lived in Williamsburg off and on since the 1990s, and while that may mean “entitled hipster” to you, for long-time residents it means community and hustle. Certainly the one thing it’s never meant in all its generations of immigration and creative gentrification is dumb dickocracy.

Until now.

So did any of these forever frat boys excuse themselves when they bumped into me? No, they looked up annoyed, as in WHO DIDN’T GET OUT OF MY WAY? Maybe if I’d been feeling stronger I would given them the ole Rosmaniac pushback but today their ugly arrogance just made me sad– as did the plastic-encased cut flowers and the prohibitively expensive organic food and the older woman I spotted in the dairy aisle carefully counting the change in her purse.

Part of me thought, why is she shopping here if she’s so strapped? Then I remembered you could say the same of me and maybe she also needed healthy food without venturing out of the neighborhood. So I tuned into her, and was immediately stuck between her rock and hard place, walls closing in on all sides like I was in the Star Wars garbage compactor.

Oh, don’t mind me. I’m feeling everything and everybody–an occupational hazard when my defenses are down–and the truth is few of us are having a very good time even though it’s the prettiest spring I can remember. Our world isn’t just changing. t’s crashing down, and the saddest part is the rude white dudes unapologetically running everyone down in their lane.

I write all this and then remember the ten episodes of The L Word I watched in the last 24 hours. (What can I say? It’s Sox and the City for this sickie.) Though the series only ended 10 years ago, the queer community has come a long way, baby. I pray someday soon those lane-crashers will be forced to catch up.

Forever Our Prince

If you’re feeling extra magic muscling you through this TGIF, that’s Prince for sure. Today would have been his 61st birthday, which makes this date National Prince Day forever, and that’s a mighty long time. Goddess knows he’s not releasing his hold on us, and that’s because he never did while he shared our plane. Til the end he listened better than anybody and moved everything–pelvises, hearts, heads. Til the end he never devolved into a mockery or monster. Til the end he offered a profoundly universal intimacy. Til the end he was old-soul transcendent and new-world bawdy, what with his beautiful, poly-everything, Gem-in-Gemini originality. And now he reigns as a third-eye winking where you least expect it and most need it. He’s showing us what silence looks like.

The Quiet Revolution of ‘Diane’

What follows is a film talk I gave a few months ago on Diane, about a 60something New England widow struggling to reconcile with her past and the ravages of time. I always loved talking to the now-defunct Westchester Film Club, but it was especially meaningful to discuss this small, mostly overlooked indie with them. N.B. To read this, it’s not necessary to have seen the film, but I encourage you to do so. It’s one of the best of the year.

I consider Diane a quiet revolution of a film.

Its median age is above 60, everyone is lower middle class, and it is is mostly populated by women–the kind of bossy, pointedly unpretentious women who are the backbone of every New England town I knew growing up. For that matter, this film stars Mary Kay Place, whose plainspoken, peevish manner I’ve loved ever since Mary Hartman Mary Hartman, and who has deserved a hefty starring role ever since. That Diane also costars the great Andrea Martin in a rare serious turn, Joyce Van Patten, and Estelle Parsons speaks to how unobtrusively grownup-feminist this film is. Even the crew is mostly female. Continue Reading →

"All, everything I understand, I understand only because I love."
― Leo Tolstoy