Archive | Essays

The Age Gap Is Getting Old

Though not terrible by any stretch of the imagination, Magic in the Moonlight is one of Woody Allen’s slightest efforts in quite a while. Its central star is the French countryside where it is based, with a distant second played by Colin Firth as an ill-tempered illusionist and Emma Stone as a medium who bewitches him with her bright blue gaze and seemingly legitimate psychic abilities. The dance between a depressive rationalism and magical thinking is a familiar Allen trope, and he brings nothing new to it here. What fun there is to be found stems from Firth sinking his fangs into another Mr. Darcy-like role as well as an unusually demure Stone; early reviews have largely amounted to the critical equivalent of a suppressed yawn.

Certainly the twenty-eight-year age gap between Firth and Stone has caused nary a stir. And that’s really something given that their age difference is actually two years greater than the one between Woody Allen and Mariel Hemingway, whose on-screen romance in 1979’s Manhattan caused such a flap. (Of course, Stone and Firth’s age difference still pales in comparison to the thirty-eight-year age gap between Allen and his real-life wife, Soon-Yi Previn, the adopted daughter of his former girlfriend Mia Farrow.) So what does it mean? Continue Reading →

Director’s Cut: Helming ‘True Detective’

When it comes to True Detective season 2, any news is fascinating news. Ever since Season 1 wrapped, the rumors surrounding HBO’s literary-minded goth detective series have been almost as mysterious as the show itself. Who will star in the next season? Where will it take place? And, most recently, who will direct it?

Earlier this week, director William Friedkin told Indiewire that he was considering joining the True Detective team, saying “I like this writer [creator Nic Pizzolatto] very much. I’ve met him, and he’s the real deal.” Though nothing is set in stone just yet, the prospect of this collaboration is a good one. Not only does Friedkin have a flair for psychologically compelling horror – he directed the original The Exorcist as well as that underseen study in paranoia, Bug, (all Michael Shannon fans should see it post-haste) – but he’s made some of the more distinctive cop movies in the history of American film: The French Connection and Cruising (which admittedly is a fail in the identity politics department). Indeed, his films – even 2011’s Killer Joe, which is mostly heralded for launching a McConaussance – build to a thrill by cultivating an appealingly broody familiarity he withdraws the minute we feel comfortable. Bottom line: There’s no director better suited to realize the rarified, yellow kingdoms of “True Detective.”

But assuming the seventy-eight-year-old won’t sign on to film every episode, it’s still worth considering who else might helm Pizzolatto’s moody masterpiece. Continue Reading →

A Birthday for the Birds

To get to downtown Boston from suburban Newton without a car was a real pain in the mid-70s–to get anywhere from Newton without a car was a pain, really–but my father Bernie told my mother Sari that a second car was wasteful and on this point, as on so many others, he would not budge. His disdain for waste was also the reason he initially fought having the second child she was now carrying. Overpopulation was a real problem, he’d told her, and he’d stuck to that policy until he read a bunch of articles arguing for the superior adjustment of children with siblings. Then, he set about impregnating my mother with a zeal that was more clinical than impassioned. Or so she suggested to her best girlfriend Miriam later while I listened, “all big eyes and big ears,” as my mother always said when she realized she’d said something taboo in front of the kid.

Now every morning he zipped off to his assistant professor job in his used Toyota (so fuel-efficient he’d crowed when she’d protested its drabness), and left her high and dry with the kid and her swelling stomach.

Even on her birthday, as it turned out. This morning she’d awoke to his daily note and, of course, no car. He’d left early for work and had “fixed his own breakfast to give her a break,” as he’d written in his spidery block letters. “Happy birthday, sweetie!!” Well. The two exclamation points mollified her until she scanned the day’s list. Every day he gave her a list—go to bank, get groceries, take Lisa to park—and every day she completed it with a plodding resignation. Today she saw he’d scheduled a biannual physical for the kid. Continue Reading →

"All, everything I understand, I understand only because I love."
― Leo Tolstoy