Archive | Feminist Matters

The Church of Rosie the Riveter

Up and at’em, Abigail Adams! I spent Saturday night writing a talk I’m giving upstate this morning about a Turkish-French feminist film called “Mustang.” (Imagine “The Virgin Suicides” with a steely spine, a Black Sea setting, and a director with a penchant for female liberation rather than pink Converse.) The sun’s only been up for an hour and I’m already polishing my prose and toes with one eye on the Metro-North timetable and another on the still-waking Manhattan skyline. Trust me when I say that, given recent events, all this feels like serious second-wave glamour. (You can generally trust I am not indulging in sarcasm, a lower form of humor than knock-knock jokes.) I still haven’t had a day off in forever but am starting to lean into it. Call me Rosman the Riveter but, in the arc of lady history, a glut of work that I love reigns as the utmost of luxuries.

‘Heart of a Dog,’ Swaddled in Fur

‘Tis the season for Oscar bait. Every week, more big-scale, self-serious films hit the multiplex, and though some are fantastic (“Room,” “Spotlight“), they tend to eclipse smaller projects like “Heart of a Dog,” a micro-budget meditation on loss, love, and one very charismatic pet. Yet this is quietly one of 2015 cinema’s best offerings – so much so that it’s gaining traction despite terrible odds. Recently acquired by Abramorama and HBO Documentary Films, it went into wider release a few weeks ago, and will receive an HBO debut in 2016. It’s no surprise, really, given that this film is written, directed, and narrated by Laurie Anderson. A true survivor in the precarious world of performance art, she has a long history of backing into success just by being her puckish, wondering self. Continue Reading →

Free Ophelia

Yesterday I took an enormous step. It was the sort of step that instantly broke lifelong patterns but left no footprint visible to the world at large—the sort that is the hardest aspect of real (not chronological) adulthood. To celebrate, I did not drink a vat of cocktails or inhale a box of chocolates. (I’ve been unsweetened since February.) Rather, I ate a kale salad and attended a critics’ screening of “Hunger Games: Mockingbird—Part 2,” which proved far more pleasurable than its overly punctuated title.

In general, this farrago of earnest vegetables and YA female bad-assery is typical of the tweeny old lady I have become—as if I now embody the full spectrum of Ophelia Syndrome-free womanhood. The remaining question, not to put too fine a point on it, is fucking. That is, how to resurrect—or simply insurrect—my sexuality among the rubble of projections, pits, and pedestals that first bombard women in pre-pubescence. I do not have an answer yet. But to my immense surprise, I finally feel that I belong to myself. Here at the shores of what our culture declares Sad-Lady Spinsterville I have found Wonder Woman’s elusive Amazonia, and lo! it is liberating, if also confounding. This transition from objecthood to sweet subjectivity is the biggest step of all, and I’m even glad there’s not a map. There is, however, a manual, and it’s cracking me up, with every attendant pun.

"All, everything I understand, I understand only because I love."
― Leo Tolstoy